Big Things Coming in 2013

Yes, we’ve been kind of silent for a bit. No we don’t have any excuse other than “life.” Yes we’re still around. And yes, we’ve got some stuff planned for 2013. We do feel bad about leaving you hanging for so long. So much to do, so little time.

Right now if you try to access LiveShow, you’ll notice that we have it turned off, this is because need to make some changes on the back end regarding how it works. Specifically we need to fix our credit card processing for paid accounts. We’ve also come up with some ideas on how to improve your overall LiveShow experience. We’ll touch on these more as we get them implemented and launched.

But expect more things from Just for Bands in 2013.

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First Impressions Are Important

Let me set the scene. You and your friends are set to hit the clubs and see some great live music.  It’s Friday night, and you’re ready to let loose and have a good time. You get to the club, pay your $5 cover, walk in, and there before you is the stage with a drum set, a few guitars and some speakers on the edges of the stage. When it’s time for the band to come out and play, you see 4 musicians saunter out on stage, they look like they just rolled out of bed, threw on the shirt and pants closest to them and grabbed a burger on the way over (you assume the burger because the lead singer has a mustard stain on his shirt). The highlight of the evening was watching the band walk out because while their musicianship was great, you were not impressed with the show.

In a parallel world, you choose a different club with a different band playing, you get to the club, pay your $10 cover and walk into the club.  To your amazement, you see drums, a few guitars, keyboard, big merch table with a great presence and a huge video screen at the back of the stage.  At the top of the show, the lights go out, some weird rhythms and music start playing while a video starts on the screen.  The music is syncopated with the video and it builds, heightening your awareness that something big is about to happen. All of a sudden, everything stops and the band kicks in together on their first song. You assess the band all through the first song, noticing how they all look like professional rockers, their stage is clean and organized and their movements are almost choreographed. Throughout the rest of the set, the band is wooing and interacting with the audience, making eye contact and the lead singer is really working the stage.  They even play a couple of cover songs you recognize, but not exactly like the originals…they have a flavor that matches that of the band on stage. By the last song, you feel like you’ve been on a roller coaster ride of emotional ups and downs and walking out, you’d be willing to pay $20 to see that show again.

They say “Image is everything,” but I’d like to add the caveat that image is nothing if you do not have substance to back it up. Start big, end bigger and make people beg for 1 more song. Most likely…they will.

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Find the Venues That Have a Clue

Someone I know posted an article, they read, on Facebook and when I read it, I nearly fell out of my seat.  Someone had finally crafted the words to my beliefs so well that I had to share and comment. Below is my thoughts on an article written by Dave Goldberg as it was found on Scribd.

In a past post, Band Business Basics, Part 3, I explained that you have to look at your music like a business and just as Dave Goldberg explains, the venues you play at, may not look at you that way.  Instead, we have to focus on changing the way we think so we can change the way others see us.  Goldberg illustrates this in the following excerpt…

“What if I told the wine bar owner that I have a great band and we are going to play at my house. I need someone to provide and pour wine while we play. I can’t pay much, just $75 and you must bring at least 25 people who are willing to pay a $10 cover charge at the door. Now wouldn’t they look at you like you are crazy?”

He goes on later to say that venue owners can’t rely on the musicians to bring people to their venue.

“…are you going to find it every night? Because friends and family of a professional musician won’t come out that often. They can’t. This is what we do every night. Would you expect the chef’s friends and family to eat at your restaurant every night? How about the dishwasher, the waitresses, the hostess? Or how about the club owners friends and family? You see, when you start turning this argument around, it becomes silly.”

Goldberge really hits the nail on the head with this flip of the conversation.  When I listen to Dave Ramsey, he talks to a lot of people who think it’s okay to have the debt of a mortgage at 4% while they have over $200,000 in investments returning 8%. They look at the math of it and say, “Hey, I’m making 4%”.  However, what they don’t take into consideration is risk.  When he flips the question around and asks them, “If you had a paid off house, would you get a $200,000 mortgage in order to invest that money in the market?”  The answer is always a big fat no.  The reason is because of the way we measure risk.  The venue owners that Goldberg refers to in his article are not measuring the risk of what this one band’s promotion will do.  They see it as a solution to their marketing.  However, it only solves a small symptom of their marketing instead of the larger problem of keeping a business running with sustainable patronage. Goldberg even explains why this is a bad business model…

But what they don’t realize is that this is NOT in their best interest. Running a restaurant, a club, a bar, is really hard. There is a lot at stake for the owner. You are trying to get loyal customers that will return because you are offering them something special. If you want great food, you hire a great chef. If you want great decor, you hire a great interior decorator. You expect these professionals to do their best at what you are hiring them to do. It needs to be the same with the band. You hire a great band and should expect great music. That should be the end of your expectations for the musicians. The music is another product for the venue to offer, no different from food or beverages.

So how do we solve the problem?
Well, we have to be educated on business and how it works and how those principles apply to us. Then we have to educate others without being rude and obnoxious.

“I think we as musicians need to fight back. Sure you can get mad about it, but that won’t do anything. We could all agree not to play those for the door gigs, but you know that isn’t going to happen. But what we can do, is explain to the club owner that it’s not in their best interest to operate their business like this. There is too much at stake for them not to be truly invested in the music presented in their venue. Convince them that if they think that live music is important to the demographic that they are trying to reach, then they need to reach out to that demographic in a professional way.”

I personally have experienced these very things when I was playing with Beekin and so when I read this article, it was a breath of fresh air.  Finally, someone saying exactly what I had experienced and always believed.

Goldberg goes on to say that he believes if we as musicians educate ourselves, then educate the venues on this simple business principle, as well as living what we preach and looking to fill our gig calendar with venues that understand this, we can go a long way to changing the face of the live music industry…and I agree.

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Variety is the Spice of Life

I’ve seen bands with 1 t-shirt design on their merch table and bands with 14 different t-shirt designs on their merch table.  I’ll give you 1 guess as to who sells more merch?

People want choice…but not too much choice.  You give them too much choice and they’ll get confused, and shut down.  This leads to no sale of a merch item and no money in your pocket.

The best stuff I’ve seen sell is colored shirts with 2-3 color prints on them. You definitely need to scope out your target audience before you buy shirts.  Don’t offer girly youth sizes when the people at your shows are 250 lb. guys and vice versa. However, do address the issue of style.  You will need to make sure you have shirts girls will like and shirts that guys will wear.

The more variety you have and constantly change out, the more merch you’ll sell to the same people coming back to your shows.  That’s free promotion that you can’t pay enough for.

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What Was the Booking Guy Thinking?

Surely you’ve had this thought before.

It usually follows a gig in which you drive hours to a show, spend time setting up and do your soundcheck only to have the next band get up to soundcheck and their style is way off in left field from yours. What’s worse is when the 3rd band gets up and their style is nowhere near your band OR the other band playing.

I’m sure the booking guy was thinking that he wanted to draw in the most people possible so make the styles as diverse as possible and this is probably the one way to make sure no one comes back to your gig (actually I have no idea what the booking guy was thinking either).

When booking your shows, make sure to ask what other bands you could be playing with and find samples of their music online and give it a listen before you commit to the gig. Make sure that your music and their music are similar enough that they might be heard on the same radio station, but different enough to not sound exactly like them.

A better option would be to find 2-3 other bands that compliment each other’s sound and work together to book shows. When you book a show, tell the venue you have a couple other bands you can bring and they do the same when they book. You’ll be exponentially growing your opportunities to gig and you’ll be ensuring that your show quality is great. Not only that, but the venue may want to book you more often knowing you do all the hard work of getting all the bands setup for the night.

Be proactive in this area or you may just end up on a stage with a rock group, country artist and rapper.

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Debt Is Bad For Your Band

Raise your hand if you’ve ever taken money out of your savings to put into your band’s project, expecting sales to soar and make your money back (maybe even a little interest) and instead 3 months later, your band breaks up because someone decided they didn’t like be overruled on a decision?

For everyone else, this post is for you.

Debt is bad for your band and ultimately for you. If you are bringing the money to the table, you may not get it back and you’ll end up resenting everyone in the band for not helping you get your money back. If you are in a band where someone else is bringing the money to the table, then you can expect them to resent you for not helping get their money back out of the project. Debt destroys relationships because it’s only good IF it works.

Instead, build your band as you go.  Spend only what you make and never borrow in order to do something because when you borrow, it only works when it works and when it fails, you’re going to destroy relationships and friendships.

When you’re doing a new project, pre-sell your project and when you get enough funds to do 1 song; record, mix and master that one song; and then send it to those who have paid already, as a digital download.  This gives them something to have until your whole project is complete and ready to come out.

When it comes to other merchandise, save up just enough money to buy some basic merch (like shirts) and make sure you price your merch to where it will sell, but also have enough markup to allow you to purchase more of the same merchandise and put a little profit in your main band bank account (ie. if you buy 24 shirts, make sure you make enough from the sale of those 24 shirts to buy 30 shirts and put a little profit in your main band bank account).  This allows you to grow your merch table without debt.

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Understanding Digital Music Formats

Today, everything is digital. Your music, movies, and even your books have some kind of digital variety. As a musician, solo or in a band, you need to understand the various digital formats that are available to you. Yes, some are better than others. Others are playable on more devices than others. So lets get into it.

Lossy and Lossless

Before we go into the different formats, you need to understand that there are two kinds of compression when it comes to audio formats. There is lossy compression and lossless compression.

Lossy compression means that once the song has been compressed, there is no way that you can decompress it back to the original quality audio. Your more popular formats like Mp3 or AAC are lossy. In that once compressed, they’re compressed, and you’ll never get back to the original file. Even exporting the the song to WAV, doesn’t bring back what was lost in compression, it just means that you have a WAV that is at the same quality as the Mp3, since you can’t get back to the original.

Lossless compression means just what it sounds like, you can decompress the audio back to the original CD quality. Lossless compression is the exact opposite of lossy compression. When you compress a WAV file using lossless compression, there is a mathematical computation that can be performed to bring the audio back to the same quality you started with before compressing the audio.  Popular lossless compression formats include FLAC (Free Lossless Audio Codec), Shorten (SHN), and even Apple Lossless. Continue reading

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What We Need Is More Passion

Just watched this video here: A Kid With Passion

When you get past his backstory (and wipe the tears away), you will get to see someone who just loves what he does and wants to do it professionally.

THIS is passion.

I’ve met so many musicians just in my time looking for players for Beekin and I can’t tell you how many of them have come and gone because they had no passion for what they (said they) wanted to do.

Passion is something that fuels you when you think you can’t go on. Passion is something that drives you to do the hard work when no one else wants to. Do you have passion for your music?  Do you desire to carry out the hard things even when you don’t want to keep going? Do you do the grunt work even if you think you are above that? Do you even think you are above that?

I encourage you today to find your passion and pursue it with all your heart. If that is playing drums, you must be willing to do what it takes to keep doing that forever. If that is managing the band, run after it with all your heart. Otherwise, you’re just supporting a hobby.

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We’re Against SOPA & PIPA

While we didn’t go black like Wikipedia or other sites around the internet. We are decidedly against legislation like the Stop Online Piracy Act (SOPA) and Protect IP Act (PIPA).

Let’s make this perfectly clear though. We are against internet piracy of content, but these laws are bad for the internet, bad for business, and they are actually bad for independent content makers.  These laws have stipulations in them that allow sites to be shutdown and blocked without due process and court orders. The SOPA legislation even has measures in it that break the underlying functions of the internet.

Please, take the time to learn more about SOPA and PIPA. You can start by clicking the image below.

For a slightly more detailed view on why even though we’re against pirating content, we at Just for Bands feel that you shouldn’t worry about it please see our article discussing “The Gaiman Principle.”

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Giveaway Raffle

Here’s an idea

Spend a little money and buy an iPod and load it with all your music. Create a contest where each Twitter follow, Facebook like, Email signup with zip code, and whatever connect mechanism you can think of, is worth 1 entry. You could even weight the entries based on your marketing priorities. At the end of the day/week/month, do a random drawing based on the number of entries and give away the iPod with all your music on it.

You pick up a number of new fans, have more awareness of your music out there and hopefully create more momentum for a better career in music.

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